Pretty and Dirty Together ~ Scott Radke

I cannot recall what Interwebs chase led me to the work of artist Scott Radke, but I am absolutely transfixed. His sculptures are creatures from another reality, unraveling strange stories to enchant me.

(Tutu #1, 2009)
It's the faces that are most striking. With the most subtle hint of a crease, a sideways glance, a slight turn of the mouth, Radke creates poignantly expressive characters.

(Untitled Egg, 2009)
I am reminded of the human-faced sphinxes of MirrorMask, and also a bizarre Dreamcast video game called Seaman that obsessed my husband for some time, where one is obliged to care for a creepy half-fish-half-man. What is it about animals with human faces that makes them both so compelling and so disturbing?

(Octopus, 2010)

Like the beasts in Spike Jonze's interpretation of Where the Wild Things Are, Radke's creations embody the most raw of feelings, the very roots of emotion. Angst, frustration, boredom, jealousy, bliss... all play out in the textures of their features.

(Swan #40, 2009)
What are their stories? What has befallen these fragile creatures, with their stirring human-like faces and organic beastly forms? What gives them such sturm und drang, such beautiful fragility?

(Hats #3, 2009)
I read a 2006 interview with Radke where, when asked where he got his inspiration from, he replied, "something pretty and dirty together," and I understood. His creatures are the perfect marriage of both the lovely and the ugly, the tragic and the comic, the playful and the serious.

(Koi #1, 2009)
See more of Radke's work on his Livejournal blog, Flickr stream, and his Web site.

Dark Grace: The Photography of Revel

I have just sent off my Absinthe set of adornments to the stunningly brilliant Revel to be photographed. I discovered Revel while doing the CoutureLust feature on Blasphemina's Closet, and upon visiting her web site, Aesthetic Alchemy, I was smitten.

{Odalisque Precieuse by Aesthetic Alchemy / Wardrobe: HMS Latex / Model: Revel}
I am all aflutter with anticipation at what the results of this endeavor will be. Revel's vision is tantalizing ~ a world of dark and capricious creatures, equal parts fetish wickedness and Lolita innocence.

{White Rabbit by Aesthetic Alchemy / Model: Lauren WK}
Her styling is dangerously bold, with splashes of color and textures seemingly at odds... leather and silk, velvet and latex.

{Bronzed by Aesthetic Alchemy / Wardrobe: HMS Latex / Model: Jessamyne}
Revel meticulously builds and collects all of her props and sets, conceiving each image as a story to unfold and capture ~ the gloss of high fashion meets the curious sinister side.

{Blackbird by Aesthetic Alchemy / Wardrobe: Retroscope Fashions / Model: Revel}
Many of Revel's images are self-portraits, which adds to the intrigue. Her haunting gaze and lustrous pale skin are otherworldly, like a creature out of time, out of the ravages of reality.

{Strangeling by Aesthetic Alchemy / Model: Revel}
Indeed, I was struck by a quote I saw in one of Revel's online profiles, and how aptly it describes her dreamy oeuvre... from the incorrigible Oscar Wilde: It is through art, and through art only, that we can realize our perfection; through art and art only that we can shield ourselves from the sordid perils of actual existence.

{Nouveau by Aesthetic Alchemy / Wardrobe: Blasphemina's Closet / Model: Ariel}
I'm thrilled to be able to have Revel take some of my treasures away from the sordid perils of actual existence ~ and into her rich imagination.

CoutureLust: Quaintrelle Couture

One of the glories of the Edwardian Ball is meeting brilliant like-minded people... such as the stunning and incredibly talented Calamity Lulu of Quaintrelle Couture, who I lured to my booth with 80% dark chocolate.

(Lulu in Tudor Dress by Quaintrelle / Photo by Mr. Nightshade)
And what, you will ask, is a quaintrelle? On her Web site, Lulu quotes Wikipedia: a woman who emphasizes a life of passion expressed through personal style, leisurely pastimes, charm, and the cultivation of Life’s pleasures... Dear readers, imagine my pleasure upon finding that a word existed that so splendidly summed up my tendencies! I immediately knew Lulu was a woman after my own heart, and was delighted that she agreed to share some more about her work here.

(Eva in Can-Can ensemble by Quaintrelle / Photo by Mr. Nightshade)
How would you describe yourself and your style of work?

Frippery as philosophy. Fabric-based alchemy without any gold -- not in the sense of money or colour, but rather, the narrow mindset of boiling down elements for a highly specific and defined objective. In alchemy they say the Masterwork is achieved only when the alchemist forgets about gold and loses himself and his aim in the purification process. When I design, I usually don't have any picture in my head when I put the pencil to paper, and I try not to get caught up doing one style--I don't want to make variations of the same piece over and over again, so my "style" is chameleonic and as mercurial as I am. Fashion for shapeshifters.

(Mr. Nightshade in Waistcoat by Quaintrelle / Photo by Audrey Penven)
Where do you find inspiration?

The usual suspects: history, architecture, the human form, but I'd say my number one inspiration is the material itself. I frequently feel like fabric has an intent of its own, as if it knows what it wants to be when it grows up, so I try to listen to its little whispers. (I see fabric fulfilling its destiny in Adornments for Tarts, so I think you intuitively do this too!)

What do you do besides design amazing clothes?

Ballroom dance, burlesque, travel, psychological treatises, study foreign languages.

(Lulu in Headpiece by Quaintrelle / Photo by Mr. Nightshade)
What are three things that please you the most in the world, and why?

Fabric. I'm a sensual hedonist, and I can't even begin to explain the joy of a beautiful silk, velvet, wool, or linen on skin. A truly perverted fabricphile, I even like to smell it. The smell of silk: mmm.

Books and intellectually stimulating conversations, because I am a nerd. A big, fancy nerd.

I lack a precise word for the third, and perhaps most significant, thing that pleases me (undoubtedly the Germans have the perfect one). Art, perhaps, because it involves creation; and also the kind of passion that leads to meticulous attention to detail and perfection of one's craft; or love, because it has to do with developing one's sense of joy without root in attachment to stagnant things; or learning, perhaps, because it involves the evolution of the mind... that's it: I'll use Evolution. Nothing pleases me more in this world than evolution -- feeling myself evolve and seeing others evolve.


(Detail of Can-Can Corset by Quaintrelle / Photo by Mr. Nightshade)
How did you get your start making clothes?

I was born a quaintrelle. From the time I could hold a crayon, I would almost exclusively draw women in fancy dresses, and would always design some monstrously complicated costume for Halloween months in advance and give it to my mother, an accomplished seamstress herself, to make for me. She'd take my drawing and move a seam somewhere more convenient, and I'd take the drawing and move the seam right back, so she decided I should learn myself pretty early on. I had my first machine -- a child's Singer with only one function -- at the age of six, and being an independent little chit, I worked things out more or less for myself over the years.

(Detail of Tudor Headpiece by Quaintrelle / Photo by Mr. Nightshade)

What piece of work are you most proud of?

I'm a ghastly perfectionist, so I always feel like my work could be better! I am a little proud of the stomacher I made for my silk mantua -- raw silk, gathered in three rows, embellished with organza trim of a delicate fawn colour (though it looks rather pink in the photo), beaded all over and with cording couched with decorative crosses in silver embroidery floss. On the mantua, which is as lovely sage green with a baroque acanthus print in gold, it has a look that's both opulent and organic.

(Detail of Tudor Mantua Stomacher by Quaintrelle)
Where can we find your line?

For the moment, exclusively through my website by commission. I haven't quite been won over to the idea of prêt-à-porter, since absolutely nothing makes someone feel as luxuriously well-dressed as a custom-tailored garment, but I'd like to offer at least ready jewelery or accessories on my website -- once I find time to set it all up!
...

Thank you, Lulu, for sharing your inspiring vision and your delectable creations... and this quaintrelle is looking forward to seeing more from you!

...Read the full interview...

Things That Please Me: Arts & Crafts Wallpapers

I must confess that I am a hoarder of fine bits of paper. I am reminded of this each Valentine's Day, as I pull out my many bins full of scraps to make cards. I love textured paper, brightly colored hand-made paper, and translucent vellum ~ but most of all I love patterned paper.

(Owl by Charles Frances Annesley Voysey, 1898)
So imagine my delight when I found a trove of reproduction wallpapers online at Trustworth Studios, which sent me down a rabbit-hole searching for the original illustrations. I am quite sure that could I afford to, I would be squirreling away rolls and rolls of it. Oh, such complex valentines I would make, with the rich and intricate repeating patterns!

(The Demon by Charles Frances Annesley Voysey, 1889)
I have always loved the style and sentiment of the Arts and Crafts movement ~ the modern steampunk movement has borrowed much of that doctrine, certainly in the appreciation for the finely crafted and the hand-made. While it's the organic curves and sensuality of Art Nouveau that inspire me most, there's something glorious in the simplicity and utility of Arts and Crafts that is dear to me as well, and in some designs, as the ones here, the line between the two is blurred.

(Seahorses by Charles Frances Annesley Voysey, 1887)
Most of these wallpaper designs are by British architect C.F.A. Voysey, who had an eye for whimsy and playfulness that I find irresistible. In his late career, Voysey focused almost completely on fanciful designs for children's nurseries.

(I Love Little Pussy by Charles Frances Annesley Voysey, 1898)
Design movements aside, I could just lose myself in the worlds of these papers, like this seemingly odd and lovely combination by French designer M.P. Verneuil, of bats and poppies ~ which were both motifs used to suggest altered states of consciousness...

(Bat and Poppy by Maurice Pillard Verneuil, 1897)
Learn more at The Textile Blog or the Arts and Crafts Home.

Frolicking in the Evil Garden

It already feels far away now, but the Edwardian Ball was, of course, absolutely splendid. This year's theme, The Evil Garden, invited escapades involving indoor croquet and all manner of strange foliage.

It's always a pleasure to see the usual bands of miscreants - the Golden Mean Snail Car crew, the merry pranksters of the Neverwas Haul, Fou Fou Ha, and Kinetic Steam Works...

The Adornments for Tarts booth was much~visited, and copious quantities of both good bourbon and dark chocolate were consumed, as is only appropriate. I had a lovely time sharing my space with Industrial Fairytale, and some plans for collaboration were concocted...

And I was so pleased to be assisted by my dear Stache, who took his handlebars to a new level for the occasion.

(Picture by Mr. Nightshade)
Perhaps my favorite part of the weekend, besides the incredible costume~watching, was connecting with all the other artisans with an eye for opulence and detail. The vendor rooms were a glory to behold. I was mesmerized by the work of Rachel of Rubyblackbird ~ her meticulous processes, the intricate embroidery, and the marriage of soft textile arts with metallurgy won my heart.

(Picture by Mr. Nightshade, actually from 2009, shhh!)
She was booth-sharing with lovely Rachael of Nouveau Motley, who had a display of incredibly gorgeous assemblage jewelry. I was also thrilled to meet Tricia of House of Nines Design and see her most delightful hand-crafted hats in person... one could find her hats perching jauntily on the heads of many an attendee and performer, and Tricia herself looked impeccably fabulous.

(Picture by Lbc42)
Having the vendors downstairs from the stages caused me to miss much of the entertainment, but I did manage to sneak away for a few songs from my beloved Vagabond Opera. I hear that Blaze and David of Flynn Creek Circus put on an incredible double-trapeze act... and I was pleased I was able to see Justin, the event's incomparable producer, perform with Vau de Vire Society and his band Rosin Coven for a few mad and wonderful songs.

(Picture by Mr. Nightshade)
The whole weekend was a blurry bliss, if a wee bit exhausting. In the few precious moments of quiet, I kept myself entertained with handwork... and I have a never~ending supply of that.

(Picture by Heather Wakefield)
If you're intrigued and want more imagery, the best place is Mr. Nightshade's gallery on The Blight. And now, to finish a few custom orders and prepare for the next event... the Nova Albion Steampunk Exhibition in March!

All is Revealed...

First, a heart~felt thank you to everyone who joined in and helped me spread the word about the Raffle of Revealing Riches last week. As promised, I used Random.org to pull the winners tonight for the prizes we unlocked... and drum-roll please...

Sewicked is the winner of TotusMel's lovely tatted bracelet... and SquadratoMagico wins the $33 gift certificate! And although we didn't get quite to sixty-six entrants, we did make forty-four altogether, so I'd like to add a $44 gift certificate because I was so impressed by the sheer enthusiasm of those who did enter... and that winner is Emi Ramsey!

Thanks again for leaving such lovely comments. It was truly splendid to hear from so many of you ~ from all over the country and beyond.

Soon, a full report on the magnificent Edwardian Ball that I just arrived home from ~ which was incredible but exhausting... but first, rest.

The Raffle of Revealing Riches!

This, my dearests, is my one-hundredth blog post. And to celebrate, I'd like to host a giveaway, to say thank you for being such brilliant supporters of my whimsy and my work.

I'm borrowing the rules shamelessly from the lovely TotusMel's tiered giveaway that many of you are familiar with. Indeed, TotusMel herself has kindly contributed the very first prize... an elegant Quadra Bracelet!

And here's the revealing part ~ if we reach 33 new individual entries, a $33 gift certificate to my shop will be added to the prizes ~ suitable for purchasing any style of earrings or a pair of Zephyr sleeve garters in your choice of color.

If we reach 66 entrants, a $66 gift certificate... and if, by some chance, we hit the magical zenith of 99 individuals entering, I shall offer up $99. These gift certificates can be used for smaller treasures, or put towards anything in the shop ~ a pair of cuffs or a a beaded silk collar.

So here are your various pursuits to enter my Raffle of Revealing Riches:

1. Visit my Etsy shop or the Adornments for Tarts Web site, and leave a comment here telling me which design is your favorite.

2. If you're not already a follower of this blog, click here to become one, and let me know about it in the comments.

3. Post a link to this contest to your choice of social network or your own blog ~ as many as you like ~ and leave a link to said post in the comments here. While you're there, follow me on Twitter, or fan me on Facebook, if you haven't already.

Each of the above pursuits completed grants you one golden (virtual) raffle ticket... you can put several entries into one comment if you wish. Your comment profile must include contact information ~ if it doesn't, be sure to leave a valid email address in your comment, or your entry is void. The winners will be drawn by random number generator on January 24th.

Multiple entries by a single person do not count towards unlocking the treasures, but most certainly increase your chances of winning something lovely by giving you more virtual raffle tickets...

So if you've been reading along quietly, now is the time to speak out! Fare thee well, sweetlings, let's get this raffle rolling!

New Year, New Life

I am ever so pleased to share the news that the turning of the year brought with it a little addition to our family ~ my new niece. After a jaw-droppingly long and challenging labor, my beautiful sister and her husband welcomed their new daughter to the world.

It was an incredibly emotional event for us all, not only the first baby in my generation for our family, but a terrifying and gorgeous reminder of both the tenuousness and the vitality of life.

And when the little one was finally (finally!) safely here, I found myself spinning into a vortex of infant-related sweetness - hours perusing hip designer baby fabrics online, like this incredible mermaid-and-octo print by Heather Ross - plotting all the tiny finery I'd make for her... in my copious spare time, yes.

So while I try to stay focused on sewing more adornments for the upcoming Edwardian Ball, and rehearsing to record next month with my band Baby Seal Club ~ I must also make some space for simple, blissful amazement at this new child's tenacity, my sweet sister's courage, and the overwhelming love I have for both of them.